Sheila Hicks: A Little Bit of a Lot of Things
The monograph that understands materiality. Sheila Hicks transformed textile into architecture, fiber into force—six decades of work that redefined what art could be made from.
This book mirrors her approach: substantial pages, considered binding, the kind of object that rewards touch. Inside, installations that fill rooms, intimate studio moments, unpublished images that reveal process alongside vision.
Hicks refused boundaries. Nebraska-born, Yale-trained, Paris-based—she made wool monumental, turned weaving into radical sculpture. A woman artist who proved textiles could be as powerful as any medium.
Essential for design libraries, beautiful on any surface. Documentation and design object in one.
264 pages
6 x 8.5 inches
500 color images
Documents the exhibition at Kunstmuseum St. Gallen
Original: $70.00
-65%$70.00
$24.50More Images
Sheila Hicks: A Little Bit of a Lot of Things
The monograph that understands materiality. Sheila Hicks transformed textile into architecture, fiber into force—six decades of work that redefined what art could be made from.
This book mirrors her approach: substantial pages, considered binding, the kind of object that rewards touch. Inside, installations that fill rooms, intimate studio moments, unpublished images that reveal process alongside vision.
Hicks refused boundaries. Nebraska-born, Yale-trained, Paris-based—she made wool monumental, turned weaving into radical sculpture. A woman artist who proved textiles could be as powerful as any medium.
Essential for design libraries, beautiful on any surface. Documentation and design object in one.
264 pages
6 x 8.5 inches
500 color images
Documents the exhibition at Kunstmuseum St. Gallen
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The monograph that understands materiality. Sheila Hicks transformed textile into architecture, fiber into force—six decades of work that redefined what art could be made from.
This book mirrors her approach: substantial pages, considered binding, the kind of object that rewards touch. Inside, installations that fill rooms, intimate studio moments, unpublished images that reveal process alongside vision.
Hicks refused boundaries. Nebraska-born, Yale-trained, Paris-based—she made wool monumental, turned weaving into radical sculpture. A woman artist who proved textiles could be as powerful as any medium.
Essential for design libraries, beautiful on any surface. Documentation and design object in one.
264 pages
6 x 8.5 inches
500 color images
Documents the exhibition at Kunstmuseum St. Gallen
